BY THOMAS GADA
My wife's sister called a few days ago
to set up a get together for this weekend. They only live an hour away,
so I don't mind.
"Brian said to wear work clothes, Jim," Gerry tells
me shortly after getting off the phone.
"Work clothes?" I reply. My
first thought is to wear khakis and a button-down shirt. Then, I think
of Brian and his blue-collar roots and I quickly realize what he had
meant. Brian has never asked something like this of me before. I can't
imagine the two of us working together on anything.
arrives, we drive over to Brian and Jackie's house. It's early spring,
so I'm wearing jeans and my old college sweat shirt.
Before we get out
of the car, I see Brian come up from around back of his house. It's a
nice place. Bigger than you'd expect for a guy who works at a machine
shop. It's a cape-style house, right on the lake.
Dickie overalls and boots up to his knees. He's covered in mud up to his
"Christ," I mutter to myself. "Would you look at him,
"Be nice," she tells me and kisses my cheek. "Brian's a big
"He's a big something," I say, looking at the house once more.
It's easily as big as my place, maybe bigger. "What do they pay a
machinist these days?" I ask her. She doesn't answer. She gets out and
greets her brother-in-law, pointing and laughing at the thick mud that
is caked on him.
"So what's the plan, Brian?" I ask as we round the
back of the house. At that moment, I see something that shocks me; the
sprawling and once-beautiful lake is no more. In its place is a giant
chocolate-brown mud hole. A pond-size body of water in the center is all
the liquid that remains.
"What the hell is this?" I ask motioning
toward the former lake.
"They drained the lake," Brian answers,
laughing at my reaction to the sight. "Rebuilding the
"They'd been talking about it for years," he answers
and shrugs. "Didn't think they'd ever get to it," he says rubbing his
bearded chin with the back of a gloved hand. "It's supposed to be done
As we close in on the lake I see some tools and wood
lying about near the shoreline. That's when the incredible smell of
long-dead fish and stagnant water hits me, making me want to turn around
and head back to my car.
There is a figure standing knee-deep in the
muck, examining two posts of wood protruding from the brownness.
what are we doing?" I ask Brian, hiding my discomfort toward the
"Roj and I have been planning on building a dock for a while
Roj is his long-time friend Rodger who lives across the lake. It
would take about three minutes for Rodger to get in his truck and drive
over to Brian's, but he always uses his boat to cross the lake--a process
that eats up approximately 15 minutes.
"Hey Jim," Rodger says from ten
feet out in the muck. He begins making his way back shore. His tall,
thin frame helps him take the necessary giant, exaggerated steps through
the thick mud. He is wearing hunting clothes, even though he's not
hunting. "I didn't know you were gonna be helping."
started," Brian says.
The stench is unbelievable, but I begin to get
used to it.
"See those?" Brian says pointing at two beams sticking
out of the dark muck.
"Roj and I did that last weekend. We
dug a few feet down, inserted the foundation with the concrete and all,
and left it to dry. We inspected it today," he motions toward his
mud-covered clothing. "Seemed good and sturdy."
I nod again.
"Normally, the foundation alone would be a huge job, but with the
lake drained and all, we had a golden opportunity to get this work done
quickly. Now all we have to do is throw the frame on there, and we're
"Once the dock is done," Rodger adds, "I'll have someplace
to park when I come over," he says laughing and pointing toward the
green grass of Brian's lawn where he usually pulls his boat
"We'll get started framing--that's really a two-man job," Brian
tells me. "Once we finish that up, you can help us hammer the boards
"What should I do in the meantime," I ask. "Just stand around
"Could you go grab us a couple more beers from the
basement?" Brian asks. "The downstairs door is unlocked."
I feel like
I should say something, object in some way. I am certainly capable of
helping. But perhaps it really is only a two-person job. A third person
might get in the way--any third person, not just me.
"Grab one for
yourself, too, Jim" Brian says as I'm walking back up the hill toward
A while later, when the frame is finally in
place, Brian hands a hammer to me. "Don't hurt your fingers," he says,
chuckling pulling it away at the last second before relinquishing it.
Rodger has a laugh, too. My first reaction is to throw the hammer as far
into the brown muck of the lake as I can. Picturing it landing head
down, with the handle sticking straight up in the air, is
"I precut the boards this morning, so we just have to nail
them in place," Brian says as he balances his way along the frame out to
the far end over the muck. "I'll start out here and work my way in. Roj,
you start in the middle. Jim, you stick to the beginning. I want to keep
you over land."
"Whatever you say, Brian," I answer, squeezing the
wooden handle and forcing a smile.
I begin pounding the nails with my
hammer. The hardest part is getting them started. I hold them in place
while attempting my initial strikes, but then after I let go, they tend
to lean and go in on crazy angles. I'm constantly tapping their sides in
an effort to straighten their path. Brian and Rodger don't seem to be
having the same problem. They strike the nails a minimum amount of time;
their path is straight and true.
"So, Jim" Rodger says after a few
minutes, "what do you do again?"
"I'm a marketing manager at a public
relations company," I tell him, swelling up slightly with pride. I've
worked hard over the years, and I feel that my position reflects that. I
might not be good at building a dock, but I'm good at what I do; they
have to respect that.
I stop pounding a nail for a moment so that I
can tap it on the side to correct its course. Brian and Rodger catch
this, and I see them exchange glances.
They are quiet for a
moment. Then Brian adds, "But what do you do?" He acts as though he's
uncovering a huge conspiracy--the fact that I don't actually
"I just told you. I'm a marketing manager."
you," Brian says. "But what the hell does a marketing manager do,
"I mean," Brian continues, "I'm a
machinist, so I fabricate engine parts all day. Roj works for the phone
company; he climbs the poles. What does a marketing manager do?"
cheeks get hot as the blood start to rise to the surface of my face; I'm
helpless against it. But I don't want them to see me get mad. I struggle
to keep my voice steady, casual.
"I'm in charge of a team of
marketers. I check the budgets, review the paperwork, delegate and
oversee assignments. Managerial type of stuff." How dare they question
me? I'm a professional. I make this country work. I'm still at my desk
at 6:30, while they're sitting on a barstool at 5:15 drinking beer.
"So what you're saying," Brian says, "is that you don't do a thing,
you push the work off to other people."
Rodger again laughs.
accidentally smash a nail that I had just started. My misguided hammer
dents the perfect wood terribly. "Trust me," I say, my tone stern, "I
work very hard. Very long hours."
"Long hours don't make for hard
work, necessarily," Rodger says. "You should try climbing those damn
poles during an ice storm--which is when the lines always go down--that's
How did this happen? I ask myself. I want to tell them
that anyone could do their work. I envy the stress-free nature of their
manual lives, but that is all that I envy. The rest of it is awful,
hard, and disgusting. I want to say a lot, but all I can muster is "My
job is pretty tough. Trust me."
My simple response seems to
disappoint them. I tell myself that I am the bigger man for not getting
into it with them, but my shaking hands and burning ears tell me
Brian seems to sense my anger--the fact that I'm truly mad,
not joking around. "Jimmy, take a breather," he says. "You're hammering
like a damn mad man."
He is right. In my rage I've been pounding nails
hard and recklessly.
"Go grab us a few more beers," he says. "You
need a break."
I walk up to the house, my anger somewhat suppressed
due to the fact that it was acknowledged. As I rummage through the
basement fridge, I reassure myself that I am the bigger man, that I do
not need to feel guilty for being above them and their blue-collar
I reassure myself that I am not intimidated.
I grab an
armful of cans. It suddenly occurs to me how much I hate beer from a
can. It tastes better from a bottle.
As I walk through the grassy
backyard toward the worksite, I see it. Brian has pulled up the boards
that I labored to put in place. The cold nails are protruding in a
haphazard fashion from the undersides of the planks. All of my work
"Brian!" I yell half way down the yard. He looks up. There is no
guilt in his eyes, no understanding. "What the hell are you doing?" I
ask. The anger again swells inside of me, flowing into my limbs and
brain. My knees feel weak and my thoughts slightly detached. It feels
like I'm watching a movie. "God-damn hick," I add loud enough so that he
can hear me.
Brian immediately stands up. Brian's a big bear, my wife
had said when we arrived. She was right. He is well over 6'. I'd guess
6'4. And he's thick. I barely make it up to his shoulders.
you say?" he asks, still holding his hammer. I can sense Rodger staring
at us from the side.
"Why the hell did you do that?" I ask him,
dropping the armload of cans that I was carrying and motioning toward
"Easy," he shouts as the cans bounce and roll over the
"Why did you tear up the boards?"
"They were all uneven. I
want my dock perfect." I'm amazed at how quickly his eyes turn from
indifference to anger. I have second thoughts about challenging
"One-upmanship," I say, my voice a bit softer than it was a
"What?" he asks incredulously.
"You heard me," I
say. "You're always trying to outdo me." I start apologetically picking
up the beer I had dropped.
"Roj, you hear this?" he asks.
it, but I don't believe it."
"One-up-whatever" he says stepping a bit
closer to me. I put my full hands up to ward him off. "I don't need to
try to outdo you. You screw up enough yourself." He slaps my hands and
the beer I had recollected again hit the ground with a thud and a
bounce. His strike is forceful and brutish.
I should react; I should
shove back. I want to, but I'm paralyzed with the threat of
confrontation. Instead I raise my hands in the air, turn, and walk away.
I try to give the impression that I am the better man, instead of the
impression of fear.
"Do you believe this shit?" I hear Brian say to
Roj as I walk away. "Good fucking riddance."
Walking back to the car,
I open the side door to the house. "Gerry," I shout. "Gerry, we have to
go. Now." I continue to the car, get in and lay on the horn for a few
A few minutes later, Gerry comes shuffling out, surprised and
slightly disheveled from gathering herself together so
"What?" she asks as she gets in the car. "Honey, what's
"What's wrong?" I shout. The anger in my voice causes her to
jump. "I'll tell you what's wrong," I say turning so that my face is
close to hers. "We are never coming here again."
"But, what happen--"
"Shut the fuck up," I cut her off before she finishes.
She should know better than to push me when I'm angry. "We're never
seeing them again," I say as we back out of the driveway.
have much to say after that. I notice a blister developing on my hand
from hammering. I try to push it from my mind and focus on a
presentation that I have to give at work on Monday.
Originally published in version 4.2 of 42Opus.